Search: Starring Andrew Scott

Action is controlled and distinguished by its restraint.

Protagonist Adam (Andrew Scott) lives in a neatly furnished home, no longer feels the need to hide his sexuality, and tells himself he’s fine, but the music says otherwise.

As Blue Moon progresses it becomes clear that the one thing Hart really wants is to be wanted.

There is a great deal to enjoy here in a fast paced, lively tale which highlights the hypocrisy of its characters without demeaning them, and which is full of heart.

This is a grown-up film not ashamed to ask its audience to think rather than mindlessly emote.

Scott’s beacon of light is swallowed up by Stone and Beresford’s heavy-handedness.

A stylish and heartwarming tale of triumph against adversity that is somewhat undermined by its predictable story and lack of guts in its final third.

Loach gives voice with eloquence to the disenfranchised and celebrates the spirit of working people.

It's like a suicide. And there's nothing to look at

A feelgood parable of human nature's ability to extract the positive from a negative.

The ultimate catch is that Spectre is no longer the villainous outsider. Their badness is corporate: its core, global surveillance and information technology.

The whole thing is outdated to the dustiest degree with the flag of the Empire flying free from the masts of their imagination

Zoo ought to present insurmountable problems to any artist working in a visual medium – but Devor turns every obstacle into a virtue.